Here is the eagerly awaited new edition of The Oxford Book of American Poetry brought completely up to date and dramatically expanded by poet David. scrupulous assessment of The Oxford Book of American Poetry, and I am especially grateful to him the book, errors that one hopes future printings will correct. Victorian poetry) will discover all they need to know to orientate and ground .. citizen; Bliss Carman edits The Oxford Book of American Verse, includes.
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The Oxford book of American poetry / [edited by] David Lehman. p. cm. Rev. ed of : Oxford book of American verse. Includes bibliographical references and. The Oxford Book of American Poetry Chosen and Edited by. DAVID LEHMAN Associate Editor JOHN BREHM OXFORD UNIVERSITY PRESS OXFORD . Here is the eagerly awaited new edition of The Oxford Book of American Poetry brought completely up to date and dramatically expanded by poet David Lehman. It is a rich, capacious volume, featuring the work of more than poets-almost three times as many as the edition.
Help Center Find new research papers in: Nineteenth-Century Women Poets: Perdesi bhaion ka shughal dakay, punjabi poetry, urdu poetry, urdu songs, punjabi songs, punjabi dance, mujra, punjabi totay, punjabi tapay. Native American Poetry in the Age of U. Similar observations can be drawn from reexamining the period of High Modernism and its repre- sentative poets such as Ezra Pound and T. This page was last edited on 29 November , at
Poetry of the Native American Renaissance and Beyond: African American Poetry: Asian American Poetry: Disability Poetry: Twenty-first Century Poetry and Politics: Tolson, Harlem Gallery, Looking at literary studies today, ours seems to be an age of handbooks and companions. Editors and publishers justify their reassessments of American literature by pointing to the ongoing re- visions of the canon, authors, and periods as well as the changes in our percep- tion of literary history.
Most recent anthologies, handbooks, and companions therefore reconsider American poetry by acknowledging the diversity of poetic practices, voices, and traditions that exist in the Americas across time and space.
In a similar manner, our handbook shows how the innovative potential of American poetry has resulted in an extremely fluid canon. Setting aside normative princi- ples that have been used to classify American poetry according to strict formal principles, nationalist premises, or rigid period concepts such as Romanticism or Modernism, current handbooks propose ways to engage poetry with present scholarship conducted in gender, race, material and media studies see Nelson ; Fredman , and the history of the book, to name just a few promi- nent fields of activity in literary and cultural theory.
In addition to the revisions of the modernist and postmodern canon, these approaches have also severely changed our way of understanding early American poetry. The former Anglo- centrist focus on colonial poetry with its intellectual center in New England has been greatly expanded by exploring the multilingual and communal poetic tradi- tions in both the Mid-Atlantic colonies and the South.
Present anthologies show that the writing of poetry in regions besides New England, with its highly pro- ductive manuscript and print culture, also results from transatlantic networks of friendship, particular local institutions, and print markets meeting the needs of different communities at different times. Concurrent studies and textbooks reveal an unbroken tradition of verse in Na- tive American literature that reaches back to the foundation of Harvard College in the s and continues throughout the eighteenth into the nineteenth cen- tury—thus being effective long before the so-called Native American Renaissance of the s see Parker Studying the expansive nineteenth-century periodical market discloses new forms of female agency in writing and publishing poetry, and it becomes clear that the multiple forms of lyric expression exceed by far the popularity of the novel and influenced reading habits and writing practices.
Similar observations can be drawn from reexamining the period of High Modernism and its repre- sentative poets such as Ezra Pound and T. But canon revisions are not restricted to earlier literary eras. While contemporary American poetry is often associated with specific movements that range from Confessional poetry to Language poetry as well as the poetic innovations among Latino, African American, and Asian American poets, it has found new outlets in various academic and non-academic poetic communities and their creative projects see Beach Since poetry remains a site of cultural meaning, it is necessary to shed new light on the collective di- mension of poetry and rediscover the writing of poetry as a political and social force in American intellectual life.
To capture the dynamic field of American poetry, current handbooks adopt a twofold approach that offers the reader both critical accounts of single poets and specific readings of representative movements and contexts. Interspersed thematic chapters on particular schools and settings fulfill the task of balancing literary analysis and literary history.
Contexts—Developments—Readings, however, offers a slightly different strategy in explaining to students the fluid canon of Ameri- can Poetry. The guiding principle of this handbook derives from a belief in a context-based close reading.
Instead of producing content-based readings of repre- sentative authors and texts, A History of American Poetry asserts that the devel- opments of American poetry are best understood as the result of aesthetic, lin- guistic, and rhetorical choices that occur in, and comment on, specific histori- cal, ideological, and material contexts.
The method of reading and presenting poems is based on three principles: Each chapter will focus on two poets set into dialogue with each other, pre- senting paired readings of one representative text from each author. The poetic texts and authors selected for each chapter answer the canon revi- sions in American literary history over the past years.
In addition to a number of familiar texts and names that are necessary for students to understand basic developments of poetry, the handbook offers chapters on multilingual colonial poetry, nineteenth-century Native American poetry, and contempo- rary experimental poetry.
In doing so, the handbook offers readers a wide spectrum of genres, styles, and conventions while tracing the changing practices of poetry from the colonial period the present. Given the plurality of schools, movements, and settings, it is impossible to syn- thesize past and present developments of American poetry and provide one com- prehensive narrative.
An introduction that tries to do so would not be able to capture the dynamic of American poetry in all its facets over the last three hun- dred fifty years. We therefore decided to refrain from constructing one exempla- ry story, and want the handbook as a whole to serve as one way of tracing the creative vitality and diversity of American poetry.
Until , this history largely follows most handbooks and companions in dividing the field of poetic produc- tion into the major areas of poetry before ; Nineteenth-century poetry; and Modernist poetry until the s.
The thirty chapters engage revisionary trends and thus unfold a critical history of American poetry that challenges conventional interpretations and provides insightful new readings of well-known poems and writers as well as introductions to poets and texts that may be more unfamiliar.
The paired read- ings of poems in each chapter also invite synchronic and interconnected lessons that make readers compare, for example, communal conventions in colonial poetry to collective poetics in contemporary performance poetry.
Being both a man- ual in terms of current theoretical directions in literary studies and a guide to practical criticism, A History of American Poetry helps students to further ex- plore the diversity and multiple poetic traditions that make up American poetry in its intersections with historical contexts and other literatures. The editors also owe special thanks to Patricia Godsave and her eagle-eyed copy-editing as well as her steadfast advice from which both the editors and contributors profited greatly.
The Cambridge Companion to American Poetry since Cambridge UP. Beach, Christopher. Poetic Culture: Contemporary American Poetry be- tween Community and Institution.
Northwestern University Press. Bendixen, Alfred and Stephen Burt eds. The Cambridge History of Amer- ican Poetry. Chinitz, David E. A Companion to Modernist Po- etry. Malden, MA. Wiley Blackwell. Fishkin, Shelley Fisher. The Transnational Turn in American Studies.
American Quarterly Fredman, Stephen ed. Larson, Kerry ed. Levander, Caroline F. Where is American Literature?. Watch fullscreen.
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